Filmen “Den Brysomme Mannen”, der fikk man med et miniprint av selvportrett. På den tiden skjønte jeg ikke greia, satt meg heller ikke inn i det.
10 år senere derimot begynte kunstinteressen å melde seg, DVD ble gravd frem fra noen esker på boden og printet rammet inn.
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Det klubbes gode priser for Push sine «En dag i familien manns liv» hos Blomqvist nå. Vel fortjent at hans beste grafikk går bra 
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140k for et prøvetrykk i den serien må vell være en slags rekord?
Det var ganske rått ja. Jevnt over høye priser som du sier @Gulosten. Vel fortjent at disse oppnår i nærheten av de usignerte dga-ene
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Jeg synes Pushwagner har en veldig særegen stil og fargerike bilder som er lette å kjenne igjen. Selv har jeg ikke hans trykk på veggen, men “Soft City”, “Self Portrait” og “Enfant Terrible” er kanskje de mest ikoniske.
Hva med denne som premie i fantasyligaen?
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Ekstrem størrelse 
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Denne tror jeg blir fantastisk!
Norwegian artist Hariton Pushwagner (1940–2018) created an exceptional artistic realm, in which modern life and dystopian visions of the future played out in drawings, paintings, prints, and friezes.
Pushwagner continuously reused and redeveloped his own motifs in various media, producing an idiosyncratic visual language that has drawn close scrutiny.
The exhibition returns to the origins of Pushwagner’s work, based on key series from his early phases (1970s – 1990s). It goes back to where the artist’s hand meets the paper or canvas, and to where the artist reuses his own material. With a unique sensibility to popular culture, Pushwagner captured the spirit of the times in a science fiction-like language of comics. His artistic project actively and critically pointed to the homogeneity created in modern capitalist society—from cities in which people are crammed into crowded high-rise buildings, to authoritarian leaders waging remote technological warfare.
The exhibition explores these issues, which were at the core of Pushwagner’s oeuvre—highlighting a historical practice that continues to inform contemporary artists and remains highly relevant still today. The exhibition is the first major presentation of Pushwagner’s work in a museum in Norway since his passing.
Curated by Live Drønen and Solveig Øvstebø.
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Her må vi møtes opp en gjeng fra KV og dra å se
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